Artists and designers alike appreciate the elegant lines of this lighter alternative to African mahogany. It’s lighter in color, firmer in texture, and straighter in grain than its African counterpart. Among the finest woods in the world, this is a versatile and adaptable choice for architectural interiors.
Plain Stripe
Also called African cherry, makore shares the light pink to deep red coloring, dark growth lines, and small pores common to cherry. In architectural installations it has the added benefit of availability in large sizes not found in American cherry. Cut on the quarter, makore shows a contrasting stripe that may be plain or crossed with a variety of decorative figures. Flat cut, it bears the distinctive cathedral grain pattern.
One of the largest trees in equatorial Africa, this tropical hardwood’s immense size ensures large leaves and volumes of veneer well suited for architectural use. Regarded for its shimmering luster that refracts light, this species ranges from pinkish brown to rich red in color with a fine, even texture, and a typically straight grain that may be decorated with a wide range of widely variable figures, including a highly prized pommele. As with most veneers, almost every log is unique.
This contrasty African relative of rosewood has a deep brown background with notable dark brown to ebony streaking and a nice natural luster. Outside Africa it’s increasingly used as a more affordable substitute for walnut. Produced in both quarter and flat cut veneers, this intense and well veined veneer is in demand for high-end architectural settings--the stronger the veining, the more valuable the wood. Due to its excellent tonal qualities, the wood is prized for the production of musical instruments.
In folklore, white oak is a symbol of strength and longevity. This domestic standard is a bit smaller in diameter than European oak and ranges in color from biscuit to golden brown to somewhat gray. It has the distinctive grain pattern and abundant angular pores that produce a wonderful flake pattern in quarter and flat cut veneers. Rift cut, the veneer produces a straight, combed grain with minimal flake. Fumed, the wood turns a warm dark brown reminiscent of Arts & Crafts-style furniture. Rustic options have rich character marks and grain variations for a truly rustic look (intended for random matched sequences). Also available in recon and rough cut.
English brown oak isn’t actually a separate species; rather it’s the result of a fungus that has infested the heartwood of a European oak and turned it a rich, dark brown. When that process doesn’t deteriorate the wood itself, it’s sliced to produce this highly desirable, deep brown veneer. Available in flat or quarter cuts as well as rift cut, which produces an exquisite flake pattern when sliced across the wood’s broad medullary rays.
One of the most common trees in European forests, this oak has long been associated with the mythological gods due to its immense size, strength, and longevity. Like most oaks, the grain is straight with broad rays that produce a lively flake effect in flat or quarter cut wood and straight combed grain in rift cut. The golden-brown wood is slightly darker than American white oak, and slightly lighter than English brown oak. Fumed veneer produces a rich chocolate-brown color similar to tropical and African woods. CoCo (color-imbued) options are available in several shades of gray and brown. Vintage oak is sliced from the hand-hewn beams of reclaimed wood from old barns and farmhouses across Europe; this rustic looking veneer is intended for use in random matched sequences.
North American oak is well suited for rustic or modern interiors. While different growing conditions can produce a range of colors, in general, it’s slightly redder, more uniform in color, and has a less prominent flake figure than white oak. The grain is firm and straight, somewhat coarse with large pores. Rift cut veneer produce a very straight, combed grain effect.
Padauk is a specie typically of African descent and often grows in dense rainforests located near the Equator. Tough, stable and easy to work with, Padauk is also valued for its decorative qualities. Padauk tends to have orange or reddish hues that tends to oxidize to a more purple-brown color. It is often used for musical instruments, furniture, and flooring.
At first glance, paldao resembles American black walnut. This enormous tree is most often found along streams and marshy soils in Indonesia and the Philippines. Paldao grows with a remarkable buttress encircling the lower trunk creating 40’ diameter growths which remote tribes believed held sprits. This is a beautiful veneer: a grey-brown background streaked with highly decorative dark stripes. Flat cut wood produces a cathedral pattern; quarter cut wood has a stripy contrast and is often finely figured.
This European fruit tree produces a very fine-grained wood with a uniform texture and a partial flame that is both beautiful and decorative. The wood is often pith-marked and occurs in colors from rosy cream to light reddish brown in both plain and figured logs. When fumed, pearwood turns a rich, dark brown; when stained black, it provides an excellent substitute for ebony.
A cousin of the hickory, the pecan tree was so central to native Americans in the lower Mississippi river valley that it was associated with the Great Spirit. Today the tree is cultivated in southern orchards for nuts and is prized as a fine cabinet wood. It has a typically straight grain, a medium texture, low natural sheen, a medium reddish-brown heartwood and paler yellow sapwood, and may be figured. Pecan stains well and is sometimes stained to match or replicate other woods.
A species that has over 30 species throughout the world, we supply Yellow Poplar as the base specie for some of our Bleached and Dyed offerings. One of the most common utility hardwoods in America, Poplar comes from the tulip tree and often comes in a wide range of colors throughout the sap and heartwood of the tree. It is often used in the veneer and lumber industry as paint grade wood, but is very versatile because it takes glues and finishes well. Yellow Poplar's light color and ability to take a finish is why it is used in the dyed veneer options we offer.
This rare and beautiful, light-colored Central American tree grows in a dog-leg fashion, making straight sections over 10’ uncommon. Because it must be cut when the sap is low, native loggers watch the phases of the moon, waiting for the waning phases when sap is limited to harvest. Yellowish-red in color, and streaked by brown, red, or orange, the wood produces a range of beautiful figures and is highly prized for architectural work.
Among the largest and tallest trees on earth, the redwood produces a rich, warm, inviting veneer that’s as impressive as the tree. Uniformly deep reddish-brown, the grain in quarter cut veneer is beautifully striped or figured by fine markings. Burled veneer (also known as vavona burl) is sliced from huge, prolific burl growths found on occasional redwoods, producing some of the largest and most uniform burled veneer in the world.
This elegant, tobacco-colored veneer is similar to Brazilian Rosewood, but somewhat less contrasty in color. Rich hues range from dark chocolate brown to violet and even black in lively combinations that produce a one-of-a-kind look prized for architectural use. Flat cut, the wood shows a beautiful cathedral pattern; quartered it produces a straight or broken stripe effect.
Sapele varies in color from log to log, but is generally medium to dark red-brown. Finishing brings out an intense depth of color and highlights its natural luster, which is similar to mahogany. This veneer has a fine grain, a distinct and desirable stripe formation, and often carries a lively figure. Flat cut sapele shows the characteristic heart or cathedral grain The highly prized pommele sapele is intensely marked with a swirly grain and randomly interspersed blisters, or pommele markings. A high degree of luster gives sapele a three-dimensional effect.
Pale yellow-gray to nearly white, sen is a Japanese ash popular in Japan for both furniture and interiors. It has a straight, fine grain when cut on the quarter and a nice cathedral character with a fine grain on either side of the heart when flat cut. When marked with a pommele figure, this veneer is called "tamo." Sen is an excellent choice for a variety of interiors aesthetics including modern, Asian, and minimalist designs.
Knotty spruce, characterized by its distinctive features, presents a charming and rustic aesthetic. The wood showcases a myriad of small, brown knots scattered throughout its surface, creating a unique and visually appealing texture. These knots add character to the spruce, bringing forth a sense of natural artistry. The uniform light color of the specie produces a natural radiance and a prominent striped grain, while the patterns formed by the knots contribute to the wood’s overall rustic charm. This wood variety is not only visually striking, but also carries a touch of authenticity, making it an excellent choice for those seeking a distinctive natural appeal in their furnishings or architectural elements.
Vintage knotty spruce is sliced from hand-hewn beams reclaimed from old farmhouses, barns, or commercial buildings. Preserving the natural character of the wood, the beams are washed, de-nailed, dimensionally sorted, and then sliced into veneer. The veneer is generally straight grained with knotty characteristics that include splits, checks, nail holes, and occasional discolorations that reflect its history and give the wood a rustic feel. This veneer is sliced at 1.4 mm and intended for use in random sequences.
Named for a city in northern Brazil, sucupira is a South American hardwood with a character similar to rosewood or teak. It has a warm chocolate color with a fine yellow stripe, a lustrous finish, and a lively interlocking grain that is rarely figured. Flat cut veneer produces a beautiful cathedral pattern.
Teak is among the oldest commercial lumbers and remains a popular wood today, particularly in Asia, the US, and Scandinavia. It ranges in color from straw colored (which some consider the most desirable) to dark, dusty brown with fine, dark, contrasting stripes. Flat cut, the mineral streaks provide a contrasty grain structure in the cathedral pattern, much like American walnut. Pure golden teak without mineral streaking is available, but rare. Reconstituted teak is a manmade product that provides the beauty of teak with outstanding consistency in color and grain from sheet to sheet. Also available in recon.
This African species is easily recognized by its exotic, tiger-like look—deep reddish-orange with dark stripes that vary from fine lines to heavy, pronounced swatches. Like mahoganies, tigerwood has a lustrous surface, good yields, and is highly adaptable for furniture, cabinetwork, and matched architectural paneling.
Tineo is prized for its unique and interesting colors—the typically pinkish-brown veneer is marked with bold, exotic streaks of purple, dark green, blue, and/or black. Found primarily in South America, this wood is sometimes called Indian Apple. The veneer is straight grained with a fine to medium texture, and a lovely natural luster.
Known around the world by many names, this wood resembles walnut, but is in fact not related to the walnut family. Its heartwood varies from light pink to brown to gray contrasted by dark irregular stripes when quarter cut. Figured woods are fairly common. This exceptionally large tree produces large leaves of veneer that are well suited for architectural use. Rare and increasingly challenging to acquire, this veneer is a distinctive choice for discerning interiors.