Store Fixtures

The rustic character of this wood works well in both contemporary and arcadian settings. The vivid, contrasting red-yellow stripe is typically straight, even, and seldom, if ever, figured. Generally quarter cut, more veneer and production plywood are made from this specie than any other worldwide. 

Gaboon is an elegant African wood with a lustrous, natural sheen. It ranges in color from pale pink to reddish brown and when quarter cut it often produces a beautiful broken stripe or rope figure. This moderately priced veneer comes in logs well sized for larger architectural projects; figured logs fetch higher prices. 

This domestic tree, common to the southern US states, is highly prized for its beautiful, erratic grain, fine texture, contrasty colors, and beautiful silky luster. In figured logs, an irregular broken stripe creates an uncommon effect in quarter cut veneer. Large logs create excellent opportunities to use this beautiful domestic in large-scale projects.

The largest of the hemlocks, this hemlock grows over 300’ tall from the Rockies to the Pacific coast. It has a straight grain, tightly spaced growth rings, somewhat course texture, and flat, uniform appearance with little distinction between the heartwood and sapwood. Hemlock takes finishing well and can be stained in virtually any color, making it an adaptable wood for interior projects.  

While most hickory is cut for lumber due to its strength and density, this traditional domestic beauty is increasingly available in veneer. Hickory has a notable contrast between its reddish heartwood and lighter sapwood. The grain is usually straight, but can be wavy or irregular in some flitches. Texture is course and porous with a matte finish. This is a quintessential domestic wood—lively in appearance and rich in American woodworking tradition.

One of the hardest woods in the world, ipé is found throughout Central and South America, although most commercial wood comes from Brazil. White the tree itself is large, defect-free sections for veneer are relatively small. Extremely dark, the colors can vary from reddish-brown to green-black with subtle but distinctive stripes. Flat cut veneer produces the characteristic cathedral grain. Quartered, it can produce a plain or broken stripe figure.

This tropical evergreen grows to impressive heights in consistently cylindrical trunks, making it ideal for veneer production for architectural use. It has an intense, warm, reddish-brown color—much like cherry—with contrasting occasional gray-brown streaks. Jatoba has a medium texture, interlocked grain, and very desirable natural luster.

A relative newcomer to the US market, jequitiba has grown in popularity in the last decade as an alternative to mahogany for rich, traditional interiors. The reddish to purple-brown heartwood, sometimes with dark streaks, varies only subtly from its paler sapwood. It has a medium luster, fine grain, and soft, smooth texture. These large trees produce ample size leaves for large installations. Flat cut, it has a pleasing cathedral figure; quartered wood may be figured. 

Kevazinga is the name given to Bubinga veneer that has been rotary cut to capitalize on its eccentric grain patterns. This exceptional veneer is red-brown in color; with dark veining, a coarse texture, and a lively, swirly grain interspersed with “peanut” or pommele markings. Highly sought after for high-end cabinetry and architectural use.

Larch is an exceptionally straight-grained veneer with a reddish-brown heartwood and thin, yellow-white sapwood. This tall, straight tree grows to exceptional heights, producing long lengths of clear veneer, primarily from the heartwood of the tree. Fumed, the typically medium colored wood turns a rich, dark, chocolate brown color reminiscent of African or tropical woods. 

Although veneer is often labeled white or black limba, there is really just one limba tree. Black limba refers veneer selected from the darker heartwood of the tree—typically reddish brown with varying degrees of irregular black streaking—and is somewhat more rare than white limba, which is cut from the lighter sapwood of the same tree. Figured wood is highly prized for architectural use. 

Very little veneer is produced from the trunk, but large growths at the base of the madrona produce this remarkable burl veneer. In what some believe looks like an overhead view of a hilly landscape intertwined with waterways of swirly grain, this warm, inviting, and choice veneer is highly sought after for high-end architectural installations and custom millwork.

Equally apt in contemporary, global, and traditional settings, mahogany has been traded from African ports for hundreds of years. Typically red to red-brown, and darker than South American mahoganies, this specie often develops a plain to ropey stripe, and may be marked with highly decorative cross figuring. Crotch veneers with vivid, flame-like patterns are one of nature’s most beautiful works of art.

Artists and designers alike appreciate the elegant lines of this lighter alternative to African mahogany. It’s lighter in color, firmer in texture, and straighter in grain than its African counterpart. Among the finest woods in the world, this is a versatile and adaptable choice for architectural interiors.

Also called African cherry, makore shares the light pink to deep red coloring, dark growth lines, and small pores common to cherry. In architectural installations it has the added benefit of availability in large sizes not found in American cherry. Cut on the quarter, makore shows a contrasting stripe that may be plain or crossed with a variety of decorative figures. Flat cut, it bears the distinctive cathedral grain pattern. 

From the same tree that produces maple syrup, comes this beautiful veneer that ranges in color from snow white to warm yellow; has a close, fine luminous texture; and a lovely straight grain that may be interspersed with natural character marks. A wide range of gorgeous figures and wild grain distortions—from curly to bird’s eye to maple burl—are sought after for distinctive paneling and furniture. Flat cut maple displays the distinctive heart or cathedral pattern.

Mappa burl is actually the burl wood of a European poplar. This highly decorative veneer is particularly contrasty—its light brown heartwood is peppered by an unusual darker, bark-like pattern of tight clusters. This burl is stunning—an extraordinary and unexpected choice for furniture, cabinetry, and architectural applications.

One of the largest trees in equatorial Africa, this tropical hardwood’s immense size ensures large leaves and volumes of veneer well suited for architectural use. Regarded for its shimmering luster that refracts light, this species ranges from pinkish brown to rich red in color with a fine, even texture, and a typically straight grain that may be decorated with a wide range of widely variable figures, including a highly prized pommele. As with most veneers, almost every log is unique.

Movingui is an exotic wood with a lustrous surface, fine texture, and bright lemony-gold to orange-brown color. It has a fine, even texture and produces a variety of figures including fiddleback, mottle, and bee’s wing. Deviations in the fiber appear as horizontal stripes that emphasize its satiny finish. Because it resembles satinwood, particularly in its intense luster, it’s sometimes called Nigerian satinwood. 

This contrasty African relative of rosewood has a deep brown background with notable dark brown to ebony streaking and a nice natural luster. Outside Africa it’s increasingly used as a more affordable substitute for walnut. Produced in both quarter and flat cut veneers, this intense and well veined veneer is in demand for high-end architectural settings--the stronger the veining, the more valuable the wood. Due to its excellent tonal qualities, the wood is prized for the production of musical instruments. 

In folklore, white oak is a symbol of strength and longevity. This domestic standard is a bit smaller in diameter than European oak and ranges in color from biscuit to golden brown to somewhat gray. It has the distinctive grain pattern and abundant angular pores that produce a wonderful flake pattern in quarter and flat cut veneers. Rift cut, the veneer produces a straight, combed grain with minimal flake. Fumed, the wood turns a warm dark brown reminiscent of Arts & Crafts-style furniture. Rustic options have rich character marks and grain variations for a truly rustic look (intended for random matched sequences). Also available in recon and rough cut.

English brown oak isn’t actually a separate species; rather it’s the result of a fungus that has infested the heartwood of a European oak and turned it a rich, dark brown. When that process doesn’t deteriorate the wood itself, it’s sliced to produce this highly desirable, deep brown veneer. Available in flat or quarter cuts as well as rift cut, which produces an exquisite flake pattern when sliced across the wood’s broad medullary rays. 

One of the most common trees in European forests, this oak has long been associated with the mythological gods due to its immense size, strength, and longevity.  Like most oaks, the grain is straight with broad rays that produce a lively flake effect in flat or quarter cut wood and straight combed grain in rift cut. The golden-brown wood is slightly darker than American white oak, and slightly lighter than English brown oak. Fumed veneer produces a rich chocolate-brown color similar to tropical and African woods. CoCo (color-imbued) options are available in several shades of gray and brown. Vintage oak is sliced from the hand-hewn beams of reclaimed wood from old barns and farmhouses across Europe; this rustic looking veneer is intended for use in random matched sequences.

North American oak is well suited for rustic or modern interiors. While different growing conditions can produce a range of colors, in general, it’s slightly redder, more uniform in color, and has a less prominent flake figure than white oak. The grain is firm and straight, somewhat coarse with large pores.  Rift cut veneer produce a very straight, combed grain effect.

At first glance, paldao resembles American black walnut. This enormous tree is most often found along streams and marshy soils in Indonesia and the Philippines. Paldao grows with a remarkable buttress encircling the lower trunk creating 40’ diameter growths which remote tribes believed held sprits. This is a beautiful veneer: a grey-brown background streaked with highly decorative dark stripes. Flat cut wood produces a cathedral pattern; quarter cut wood has a stripy contrast and is often finely figured.

Pages