Alder is a warm honey-red colored wood with a beautiful, subtle grain interspersed with fine lines and flecks produced by the tree’s annual growth rings. Domestic alder grows in a mile mile wide coastal strip along the Pacific coast from Canada almost to Mexico; European alder along. The wood darkens to a warm reddish-brown color after being felled. Natural markings including pithy flecks and streaks add to the singular character to this wood.
Amboyna burl is among the world’s rarest and most expensive veneers—holding the distinction of being the original wood used on Rolls Royce dashboards. Leafs are small in dimension due to the small size of the burl. Deep yellow-orange to red, amboina burl has an unsurpassed depth and beauty prized in high quality architectural woodwork and cabinetry.
Anegre has a lustrous sheen, an even texture, and grain that is typically straight, but may be interlocked, wavy, or marked with a wide range of beautiful shimmering figures. Sought after for its light creamy color, large logs, uniformity across flitches, and unobtrusive grain markings, anegre takes stain readily and is often dyed to resemble cherry, walnut, or other woods.
Reconstituted Veneer is rotary cut veneer created from fast-growing secondary species, then dyed, layered, laminated, and laid up with grain that replicates a natural species. It offers outstanding consistency in color and grain. The pattern for Argento was previously owned by an exotic car manufacturer for vehicle interiors and is a one-of-a-kind offering that won’t be produced in the future. This recon veneer is dark graphite-like in color. It is available in 9-foot lengths.
Ancient Norwegians considered a mythological ash tree to be the center of the world. Among the palest colored veneers, ash has a lustrous surface, beautiful straight grain, a light stripe effect, and subtle contrast between its light tan heartwood and creamy sapwood. It produces a wide range of beautiful, shimmering figures and delicate burls. Extremely strong, ash is the lumber of choice for parallel bars, baseball bats and tool handles. In veneer, it’s prized for high quality furniture and for use in light, open interiors.
This veneer is cut from burled growths found on birch trees in forests in Finland and Russia—the result of local genetics or the soil conditions in that location. The veneer produced is uncommonly beautiful—an atypical burl pattern interspersed with pitch flecks, a swirling figure, and small, dark “eye” markings that create a teardrop effect. Veneer is rotary cut due to the small diameter of the burl.
Red birch is not actually a specie—but is rather veneer cut from the darker heartwood of the yellow birch tree. Rich reddish-brown in color (the sapwood is almost pure white), this veneer is a fine, versatile, and popular choice in architectural interiors. When figured, it typically presents a curly or mottle figure. Its smooth surface makes it well suited for applying stains and glossy finishes.
Among the whitest veneers, white birch is not actually a species, but is rather the sapwood of the yellow birch tree, selected specifically for its creamy white color. In the 50s, birch veneer was in its heyday—especially in home furniture—and is experiencing resurgence with the renewal of the modern aesthetic. A small tree (33’ on average), white birch produces smaller leaves than most trees. Its smooth surface makes it well suited for applying stains and glossy finishes.
Cerejiera is a South American wood particularly prized in crotch veneer—a figure that develops when two branches or trunks are knit together as they grow (sometimes called a plume or feather pattern). The pyramid-like pattern is lively, rich in contrast, and fascinating to behold. This rare veneer is sought after for high-end furniture and as a featured accent in architectural interiors
American cherry is a timeless and elegant veneer that has a satiny finish and fine, lustrous grain marked with natural pitch flecks and small gum pockets. Typically darker than European cherry, the veneer can vary widely in color from pale pink to reddish brown. Flat cut, it produces a beautiful cathedral pattern. Figured, it exhibits a fine fiddleback or rope figure.
While there are many ebonies, Macassar ebony is the best known and most commercially significant. This dramatic, bold wood is nearly black in color with thin, contrasting yellow-brown stripes and a beautiful sheen. Because the tree is small, veneer is rare, precious and highly sought after for cabinetry and architectural millwork. Also available in recon.
European Elm with cluster figuring features a lively and dynamic grain pattern, as well as a coarse texture. The wood’s color ranges from yellow to tan with a subtle pink undertone. It’s worth noting that the color tones can vary significantly from one log to another. The unique grain and warm color palette creates a timeless and cheerful aesthetic. This particular type of Elm is primarily found in Eastern Europe, France, and northeastern and southeastern Finland, and is most commonly known for its exceptional durability and resilience.
The rustic character of this wood works well in both contemporary and arcadian settings. The vivid, contrasting red-yellow stripe is typically straight, even, and seldom, if ever, figured. Generally quarter cut, more veneer and production plywood are made from this specie than any other worldwide.
While most hickory is cut for lumber due to its strength and density, this traditional domestic beauty is increasingly available in veneer. Hickory has a notable contrast between its reddish heartwood and lighter sapwood. The grain is usually straight, but can be wavy or irregular in some flitches. Texture is course and porous with a matte finish. This is a quintessential domestic wood—lively in appearance and rich in American woodworking tradition.
Very little veneer is produced from the trunk, but large growths at the base of the madrona produce this remarkable burl veneer. In what some believe looks like an overhead view of a hilly landscape intertwined with waterways of swirly grain, this warm, inviting, and choice veneer is highly sought after for high-end architectural installations and custom millwork.
Equally apt in contemporary, global, and traditional settings, mahogany has been traded from African ports for hundreds of years. Typically red to red-brown, and darker than South American mahoganies, this specie often develops a plain to ropey stripe, and may be marked with highly decorative cross figuring. Crotch veneers with vivid, flame-like patterns are one of nature’s most beautiful works of art.
Artists and designers alike appreciate the elegant lines of this lighter alternative to African mahogany. It’s lighter in color, firmer in texture, and straighter in grain than its African counterpart. Among the finest woods in the world, this is a versatile and adaptable choice for architectural interiors.
Also called African cherry, makore shares the light pink to deep red coloring, dark growth lines, and small pores common to cherry. In architectural installations it has the added benefit of availability in large sizes not found in American cherry. Cut on the quarter, makore shows a contrasting stripe that may be plain or crossed with a variety of decorative figures. Flat cut, it bears the distinctive cathedral grain pattern.
From the same tree that produces maple syrup, comes this beautiful veneer that ranges in color from snow white to warm yellow; has a close, fine luminous texture; and a lovely straight grain that may be interspersed with natural character marks. A wide range of gorgeous figures and wild grain distortions—from curly to bird’s eye to maple burl—are sought after for distinctive paneling and furniture. Flat cut maple displays the distinctive heart or cathedral pattern.
Mappa burl is actually the burl wood of a European poplar. This highly decorative veneer is particularly contrasty—its light brown heartwood is peppered by an unusual darker, bark-like pattern of tight clusters. This burl is stunning—an extraordinary and unexpected choice for furniture, cabinetry, and architectural applications.
Movingui is an exotic wood with a lustrous surface, fine texture, and bright lemony-gold to orange-brown color. It has a fine, even texture and produces a variety of figures including fiddleback, mottle, and bee’s wing. Deviations in the fiber appear as horizontal stripes that emphasize its satiny finish. Because it resembles satinwood, particularly in its intense luster, it’s sometimes called Nigerian satinwood.
In folklore, white oak is a symbol of strength and longevity. This domestic standard is a bit smaller in diameter than European oak and ranges in color from biscuit to golden brown to somewhat gray. It has the distinctive grain pattern and abundant angular pores that produce a wonderful flake pattern in quarter and flat cut veneers. Rift cut, the veneer produces a straight, combed grain with minimal flake. Fumed, the wood turns a warm dark brown reminiscent of Arts & Crafts-style furniture. Rustic options have rich character marks and grain variations for a truly rustic look (intended for random matched sequences). Also available in recon and rough cut.
English brown oak isn’t actually a separate species; rather it’s the result of a fungus that has infested the heartwood of a European oak and turned it a rich, dark brown. When that process doesn’t deteriorate the wood itself, it’s sliced to produce this highly desirable, deep brown veneer. Available in flat or quarter cuts as well as rift cut, which produces an exquisite flake pattern when sliced across the wood’s broad medullary rays.
One of the most common trees in European forests, this oak has long been associated with the mythological gods due to its immense size, strength, and longevity. Like most oaks, the grain is straight with broad rays that produce a lively flake effect in flat or quarter cut wood and straight combed grain in rift cut. The golden-brown wood is slightly darker than American white oak, and slightly lighter than English brown oak. Fumed veneer produces a rich chocolate-brown color similar to tropical and African woods. CoCo (color-imbued) options are available in several shades of gray and brown. Vintage oak is sliced from the hand-hewn beams of reclaimed wood from old barns and farmhouses across Europe; this rustic looking veneer is intended for use in random matched sequences.
North American oak is well suited for rustic or modern interiors. While different growing conditions can produce a range of colors, in general, it’s slightly redder, more uniform in color, and has a less prominent flake figure than white oak. The grain is firm and straight, somewhat coarse with large pores. Rift cut veneer produce a very straight, combed grain effect.