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Mappa burl is actually the burl wood of a European poplar. This highly decorative veneer is particularly contrasty—its light brown heartwood is peppered by an unusual darker, bark-like pattern of tight clusters. This burl is stunning—an extraordinary and unexpected choice for furniture, cabinetry, and architectural applications.

In folklore, white oak is a symbol of strength and longevity. This domestic standard is a bit smaller in diameter than European oak and ranges in color from biscuit to golden brown to somewhat gray. It has the distinctive grain pattern and abundant angular pores that produce a wonderful flake pattern in quarter and flat cut veneers. Rift cut, the veneer produces a straight, combed grain with minimal flake. Fumed, the wood turns a warm dark brown reminiscent of Arts & Crafts-style furniture. Rustic options have rich character marks and grain variations for a truly rustic look (intended for random matched sequences). Also available in recon and rough cut.

English brown oak isn’t actually a separate species; rather it’s the result of a fungus that has infested the heartwood of a European oak and turned it a rich, dark brown. When that process doesn’t deteriorate the wood itself, it’s sliced to produce this highly desirable, deep brown veneer. Available in flat or quarter cuts as well as rift cut, which produces an exquisite flake pattern when sliced across the wood’s broad medullary rays. 

One of the most common trees in European forests, this oak has long been associated with the mythological gods due to its immense size, strength, and longevity.  Like most oaks, the grain is straight with broad rays that produce a lively flake effect in flat or quarter cut wood and straight combed grain in rift cut. The golden-brown wood is slightly darker than American white oak, and slightly lighter than English brown oak. Fumed veneer produces a rich chocolate-brown color similar to tropical and African woods. CoCo (color-imbued) options are available in several shades of gray and brown. Vintage oak is sliced from the hand-hewn beams of reclaimed wood from old barns and farmhouses across Europe; this rustic looking veneer is intended for use in random matched sequences.

Padauk is a specie typically of African descent and often grows in dense rainforests located near the Equator. Tough, stable and easy to work with, Padauk is also valued for its decorative qualities. Padauk tends to have orange or reddish hues that tends to oxidize to a more purple-brown color. It is often used for musical instruments, furniture, and flooring.

At first glance, paldao resembles American black walnut. This enormous tree is most often found along streams and marshy soils in Indonesia and the Philippines. Paldao grows with a remarkable buttress encircling the lower trunk creating 40’ diameter growths which remote tribes believed held sprits. This is a beautiful veneer: a grey-brown background streaked with highly decorative dark stripes. Flat cut wood produces a cathedral pattern; quarter cut wood has a stripy contrast and is often finely figured.

This wood is indigenous to the Yucatan Peninsula and is prized for its dramatic, saturated coloring—reddish brown with black, violets, and oranges typically mixed in. The grain is typically straight with some irregularity. It’s a premier choice for high-end furniture and interiors and is highly regarded as a tonewood for marimbas and xylophones, earning its nickname “the wood that sings.”

This European fruit tree produces a very fine-grained wood with a uniform texture and a partial flame that is both beautiful and decorative. The wood is often pith-marked and occurs in colors from rosy cream to light reddish brown in both plain and figured logs. When fumed, pearwood turns a rich, dark brown; when stained black, it provides an excellent substitute for ebony.

A species that has over 30 species throughout the world, we supply Yellow Poplar as the base specie for some of our Bleached and Dyed offerings.  One of the most common utility hardwoods in America, Poplar comes from the tulip tree and often comes in a wide range of colors throughout the sap and heartwood of the tree. It is often used in the veneer and lumber industry as paint grade wood, but is very versatile because it takes glues and finishes well. Yellow Poplar's light color and ability to take a finish is why it is used in the dyed veneer options we offer.

This rare and beautiful, light-colored Central American tree grows in a dog-leg fashion, making straight sections over 10’ uncommon. Because it must be cut when the sap is low, native loggers watch the phases of the moon, waiting for the waning phases when sap is limited to harvest. Yellowish-red in color, and streaked by brown, red, or orange, the wood produces a range of beautiful figures and is highly prized for architectural work.

Among the largest and tallest trees on earth, the redwood produces a rich, warm, inviting veneer that’s as impressive as the tree. Uniformly deep reddish-brown, the grain in quarter cut veneer is beautifully striped or figured by fine markings. Burled veneer (also known as vavona burl) is sliced from huge, prolific burl growths found on occasional redwoods, producing some of the largest and most uniform burled veneer in the world. 

This elegant, tobacco-colored veneer is similar to Brazilian Rosewood, but somewhat less contrasty in color. Rich hues range from dark chocolate brown to violet and even black in lively combinations that produce a one-of-a-kind look prized for architectural use. Flat cut, the wood shows a beautiful cathedral pattern; quartered it produces a straight or broken stripe effect. 

Madagascar Rosewood can be found in various shades of deep brown to reddish-brown. The veneer has a medium to fine texture and ribbon grain, typical of rosewoods, with pronounced dark red, vertical lines that can be wavy in some logs. Darker streaks are common and can produce a spiderweb-like figure. Flat cut, the log produces a swirly, burl-like heart. 

Satinwood is a pale gold wood with a rippled grain and straight striping. Typically figured, Satinwood often produces a bee’s wing or mottle figure. Satinwood is used for decorative inlays on table and conference tops. It is also used for high quality furniture and cabinets. Select logs are sliced to produce extremely attractive veneers for high-end architectural paneling, cabinets, and marquetry.

Actually a maple by genus, sycamore is among the most valuable native broad-leafed trees in Europe. Nearly white in color with a fine, close texture, notable uniform structure, and straight grain that may be figured, this light color wood evokes a minimalist elegance. Flat cut veneer shows the characteristic cathedral pattern. It readily accepts stains and can be dyed to many colors, most popularly a silver gray. 

Teak is among the oldest commercial lumbers and remains a popular wood today, particularly in Asia, the US, and Scandinavia. It ranges in color from straw colored (which some consider the most desirable) to dark, dusty brown with fine, dark, contrasting stripes. Flat cut, the mineral streaks provide a contrasty grain structure in the cathedral pattern, much like American walnut. Pure golden teak without mineral streaking is available, but rare. Reconstituted teak is a manmade product that provides the beauty of teak with outstanding consistency in color and grain from sheet to sheet. Also available in recon.

Tineo is prized for its unique and interesting colors—the typically pinkish-brown veneer is marked with bold, exotic streaks of purple, dark green, blue, and/or black. Found primarily in South America, this wood is sometimes called Indian Apple. The veneer is straight grained with a fine to medium texture, and a lovely natural luster. 

American walnut is the quintessential native hardwood and a hallmark of wood quality and tradition—one of the country’s most versatile, varied, and well-loved veneers. It produces a wider variety of figures than any other wood. Quarter cut veneers have a straight, even grain; flat cut produces a beautiful cathedral pattern. Burled walnut is a rare and exceptional offering—rich and dark with a beautiful swirling grain intermingled with clusters of burl. Also available in recon and rough cut.

Known around the world by many names, this wood resembles walnut, but is in fact not related to the walnut family. Its heartwood varies from light pink to brown to gray contrasted by dark irregular stripes when quarter cut. Figured woods are fairly common. This exceptionally large tree produces large leaves of veneer that are well suited for architectural use. Rare and increasingly challenging to acquire, this veneer is a distinctive choice for discerning interiors.

European walnut is among the most popular veneers in the world market. In recent years, severe frost in France damaged a great number of trees, making good European walnut increasingly harder to find and more expensive than its American cousin. A favorite for high quality architectural woodwork, this veneer has a smooth, even texture and thin, dark, grain markings over a light to dark brown background. 

Ziricote is a captivating choice—sometimes referred to as the abstract art of veneer. Designers seek it out for its unrepeatable grain patterns—spider webbing, marbling, cloudbursts, hill and valley patterns, and more. The reddish-brown heartwood is nicely contrasted by creamy sapwood. Quarter cut veneer may produce ray flakes similar to hard maple. Some designers incorporate the pale sapwood into furniture or interior designs for aesthetic effect, or to cut down on waste.

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