Conference Tables

Amboyna burl is among the world’s rarest and most expensive veneers—holding the distinction of being the original wood used on Rolls Royce dashboards. Leafs are small in dimension due to the small size of the burl. Deep yellow-orange to red, amboina burl has an unsurpassed depth and beauty prized in high quality architectural woodwork and cabinetry.

Anegre has a lustrous sheen, an even texture, and grain that is typically straight, but may be interlocked, wavy, or marked with a wide range of beautiful shimmering figures. Sought after for its light creamy color, large logs, uniformity across flitches, and unobtrusive grain markings, anegre takes stain readily and is often dyed to resemble cherry, walnut, or other woods.

ASH

Ancient Norwegians considered a mythological ash tree to be the center of the world. Among the palest colored veneers, ash has a lustrous surface, beautiful straight grain, a light stripe effect, and subtle contrast between its light tan heartwood and creamy sapwood. It produces a wide range of beautiful, shimmering figures and delicate burls. Extremely strong, ash is the lumber of choice for parallel bars, baseball bats and tool handles. In veneer, it’s prized for high quality furniture and for use in light, open interiors.

Olive ash is not a specie in itself, rather it’s the name given to veneer cut from the dark heartwood of one of several European ashes. The dark on light stripes are reminiscent of true olive wood. Colors range from white to yellow to brown in varied combinations of color and markings. Grain may be straight, curly, or wavy. Olive ash burl veneer is highly prized for its turbulent markings and striking color contrasts.

Considered among the best veneers in the poplar family, aspen ranges in color from almost pure white to light straw to warm tan. Favored logs produce a lovely, bright veneer with a beautiful, natural sheen. Aspen is often fumed to a rich, dark brown for use in modern environments. It mixes beautifully with stone and other  materials in  natural environments. 

Avodire is a pale yellow African wood with a natural luster, moderate to fine texture, and very little contrast between heartwood and sapwood. A wide range of grain patterns and figures, combined with a shimmery chotoyance (cat’s eye effect), make it popular in cabinetry, furniture, and architectural interiors. Highly figured logs fetch high prices.

Bamboo is one of the fastest growing woody plants on earth, reaching hundreds of feet just months after harvesting. This unbridled regeneration makes bamboo a natural, renewable choice for architectural veneer. Colors range from creamy-yellow to warm amber; the grain is straight with distinctive knot-like markings characteristic of the species. Available in light or dark offerings with narrow or wide stripe patterns. 

A favorite in modern interiors, beech is a straight grained wood with a very fine, even texture. While beech is naturally a creamy, almost white color, most beech is steamed, producing a consistent slightly pink hue in veneer. Flat cut veneers present a nice cathedral; quartered veneers carry a silvery fleck pattern. This specie produces a number of beautiful figures prized for interior architecture. 

This veneer is cut from burled growths found on birch trees in forests in Finland and Russia—the result of local genetics or the soil conditions in that location. The veneer produced is uncommonly beautiful—an atypical burl pattern interspersed with pitch flecks, a swirling figure, and small, dark “eye” markings that create a teardrop effect. Veneer is rotary cut due to the small diameter of the burl.

In both color and aroma, bosse resembles cedar and for that reason this large West African tree is sometimes called African cedar. The color varies from pale pink to deep mahogany and veneer is often highly figured with fiddleback, mottle, or a highly prized pommele figure—all of which ensure one-of-a-kind architectural installations. Availability and cost can vary widely based on grain patterning and intensity.

Bubinga is a striking veneer with a very broad color spectrum ranging from pink to brownish-red to nearly violet. It has a beautiful texture and fine contrasting growth lines that may be wavy in some logs due to the grain’s interlocked fibers. Bee’s wing and block mottle figures are fairly common. Behemoth lengths and widths make it well suited for large architectural installations. When rotary cut, bubinga is called kevazinga. This African veneer is a sophisticated and elegant choice for interior environments.

Thousands of centuries ago, Lebanese cedar was one of the world’s most precious woods, used in the construction of ancient temples and palaces. Today, this beautiful, decorative wood is now primarily grown in England and France. Rare and highly prized, most logs are produced by local European veneer merchants with local knowledge of the availability of this exceptional veneer.

American cherry is a timeless and elegant veneer that has a satiny finish and fine, lustrous grain marked with natural pitch flecks and small gum pockets. Typically darker than European cherry, the veneer can vary widely in color from pale pink to reddish brown. Flat cut, it produces a beautiful cathedral pattern. Figured, it exhibits a fine fiddleback or rope figure. 

Brought to Europe by invading Romans, chestnut loves the warmth and so it’s apt that it’s commonly found in the wine-growing regions across Europe and Asia. The veneer is yellow to dark brown with a strong grain pattern similar to oak, elm, or ash. The grain is straight with a somewhat coarse texture. European chestnut accepts stain readily and finishes easily.

Dillenia is a canopy tree that grows over 100’ tall in the Malaysian archipelago—with straight, branch-free, trunks of 80’ and more, and buttresses up to 12’ high. The heartwood is a rich reddish-brown with an occasional purple tinge. The sapwood is wide, orange-brown to pink, and subtly defined. Conspicuous medullary rays give this wood a lacy and lustrous surface in quarter cut veneer.

While there are many ebonies, Macassar ebony is the best known and most commercially significant. This dramatic, bold wood is nearly black in color with thin, contrasting yellow-brown stripes and a beautiful sheen. Because the tree is small, veneer is rare, precious and highly sought after for cabinetry and architectural millwork. Also available in recon.

Eucalyptus is a lively veneer prized for the exotic, shimmering ripple effect in its grain. It’s available in a wide range of colors in its natural state—as well as a rich chocolate-brown when fumed, replicating the look of rich African or tropical woods. Eucalyptus produces a range of outstanding figures—most notably a strong fiddleback or bee’s wing figure—and stunning burls that are typically larger than most burls, producing well-sized sheets of rotary cut veneer. Also available in rough cut.

This domestic tree, common to the southern US states, is highly prized for its beautiful, erratic grain, fine texture, contrasty colors, and beautiful silky luster. In figured logs, an irregular broken stripe creates an uncommon effect in quarter cut veneer. Large logs create excellent opportunities to use this beautiful domestic in large-scale projects.

While most hickory is cut for lumber due to its strength and density, this traditional domestic beauty is increasingly available in veneer. Hickory has a notable contrast between its reddish heartwood and lighter sapwood. The grain is usually straight, but can be wavy or irregular in some flitches. Texture is course and porous with a matte finish. This is a quintessential domestic wood—lively in appearance and rich in American woodworking tradition.

Reconstituted Veneer is rotary cut veneer created from fast-growing secondary species, then dyed, layered, laminated, and laid up with grain that replicates a natural species. It offers outstanding consistency in color and grain. The pattern for Kalahari was previously owned by an exotic car manufacturer for vehicle interiors and is a one-of-a-kind offering that won’t be produced in the future. This recon veneer is in the grey color range, somewhat resembling Walnut and can be stained. It is available in 9-foot lengths.

Kevazinga is the name given to Bubinga veneer that has been rotary cut to capitalize on its eccentric grain patterns. This exceptional veneer is red-brown in color; with dark veining, a coarse texture, and a lively, swirly grain interspersed with “peanut” or pommele markings. Highly sought after for high-end cabinetry and architectural use.

Lacewood is an uncommon veneer with a conspicuous flecking that resembles lace when quarter cut. Reddish brown with a silvery sheen, this striking veneer has a straight grain and small flake–the result of cutting through the medullary ray, which is especially pronounced in the species. Lacewood is always quarter cut and can be fumed to a rich chocolate brown.

Larch is an exceptionally straight-grained veneer with a reddish-brown heartwood and thin, yellow-white sapwood. This tall, straight tree grows to exceptional heights, producing long lengths of clear veneer, primarily from the heartwood of the tree. Fumed, the typically medium colored wood turns a rich, dark, chocolate brown color reminiscent of African or tropical woods. 

Very little veneer is produced from the trunk, but large growths at the base of the madrona produce this remarkable burl veneer. In what some believe looks like an overhead view of a hilly landscape intertwined with waterways of swirly grain, this warm, inviting, and choice veneer is highly sought after for high-end architectural installations and custom millwork.

Equally apt in contemporary, global, and traditional settings, mahogany has been traded from African ports for hundreds of years. Typically red to red-brown, and darker than South American mahoganies, this specie often develops a plain to ropey stripe, and may be marked with highly decorative cross figuring. Crotch veneers with vivid, flame-like patterns are one of nature’s most beautiful works of art.

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