Brought to Europe by invading Romans, chestnut loves the warmth and so it’s apt that it’s commonly found in the wine-growing regions across Europe and Asia. The veneer is yellow to dark brown with a strong grain pattern similar to oak, elm, or ash. The grain is straight with a somewhat coarse texture. European chestnut accepts stain readily and finishes easily.
Chestnut-European
Grey Elm has a subtle yet lively interlocked grain with a somewhat coarse and uneven texture. The hue of sapwood is nearly white making it highly distinguishable from the heartwood, which ranges from grey to light brown with occasional tinges of reddish brown. It is most commonly found in the Eastern to Midwestern parts of the United States.
Red elm has a lively, decorative grain and a pale reddish-brown color interspersed with lovely light effects that result from wood’s medullary rays. Found primarily around the Great Lakes region, (and commonly referred to as slippery elm in tree form) this elegant domestic is a hardy survivor of the Dutch elm disease that wiped out millions of elms worldwide.
While most hickory is cut for lumber due to its strength and density, this traditional domestic beauty is increasingly available in veneer. Hickory has a notable contrast between its reddish heartwood and lighter sapwood. The grain is usually straight, but can be wavy or irregular in some flitches. Texture is course and porous with a matte finish. This is a quintessential domestic wood—lively in appearance and rich in American woodworking tradition.
Pale yellow-gray to nearly white, sen is a Japanese ash popular in Japan for both furniture and interiors. It has a straight, fine grain when cut on the quarter and a nice cathedral character with a fine grain on either side of the heart when flat cut. When marked with a pommele figure, this veneer is called "tamo." Sen is an excellent choice for a variety of interiors aesthetics including modern, Asian, and minimalist designs.