Considered among the best veneers in the poplar family, aspen ranges in color from almost pure white to light straw to warm tan. Favored logs produce a lovely, bright veneer with a beautiful, natural sheen. Aspen is often fumed to a rich, dark brown for use in modern environments. It mixes beautifully with stone and other materials in natural environments.
In both color and aroma, bosse resembles cedar and for that reason this large West African tree is sometimes called African cedar. The color varies from pale pink to deep mahogany and veneer is often highly figured with fiddleback, mottle, or a highly prized pommele figure—all of which ensure one-of-a-kind architectural installations. Availability and cost can vary widely based on grain patterning and intensity.
Bubinga is a striking veneer with a very broad color spectrum ranging from pink to brownish-red to nearly violet. It has a beautiful texture and fine contrasting growth lines that may be wavy in some logs due to the grain’s interlocked fibers. Bee’s wing and block mottle figures are fairly common. Behemoth lengths and widths make it well suited for large architectural installations. When rotary cut, bubinga is called kevazinga. This African veneer is a sophisticated and elegant choice for interior environments.
While most etimoe trees are tapped for rubber, untapped trees are often sliced to produce this rare and striking veneer. The light red-brown to grey-brown wood has a straight grain, often with striking black-red veins or stripes, and a fine, even, lustrous texture. Etimoe is available in large sizes and in a variety of figures, most commonly curly and fiddleback.
Eucalyptus is a lively veneer prized for the exotic, shimmering ripple effect in its grain. It’s available in a wide range of colors in its natural state—as well as a rich chocolate-brown when fumed, replicating the look of rich African or tropical woods. Eucalyptus produces a range of outstanding figures—most notably a strong fiddleback or bee’s wing figure—and stunning burls that are typically larger than most burls, producing well-sized sheets of rotary cut veneer. Also available in rough cut.
This domestic tree, common to the southern US states, is highly prized for its beautiful, erratic grain, fine texture, contrasty colors, and beautiful silky luster. Large logs create excellent opportunities to use this beautiful domestic in large-scale projects.
Lacewood is an uncommon veneer with a conspicuous flecking that resembles lace when quarter cut. Reddish brown with a silvery sheen, this striking veneer has a straight grain and small flake–the result of cutting through the medullary ray, which is especially pronounced in the species. Lacewood is always quarter cut and can be fumed to a rich chocolate brown.
Larch is an exceptionally straight-grained veneer with a reddish-brown heartwood and thin, yellow-white sapwood. This tall, straight tree grows to exceptional heights, producing long lengths of clear veneer, primarily from the heartwood of the tree. Fumed, the typically medium colored wood turns a rich, dark, chocolate brown color reminiscent of African or tropical woods.
Although veneer is often labeled white or black limba, there is really just one limba tree. Black limba refers veneer selected from the darker heartwood of the tree—typically reddish brown with varying degrees of irregular black streaking—and is somewhat more rare than white limba, which is cut from the lighter sapwood of the same tree. Figured wood is highly prized for architectural use.
In folklore, white oak is a symbol of strength and longevity. This domestic standard is a bit smaller in diameter than European oak and ranges in color from biscuit to golden brown to somewhat gray. It has the distinctive grain pattern and abundant angular pores that produce a wonderful flake pattern in quarter and flat cut veneers. Rift cut, the veneer produces a straight, combed grain with minimal flake. Fumed, the wood turns a warm dark brown reminiscent of Arts & Crafts-style furniture. Rustic options have rich character marks and grain variations for a truly rustic look (intended for random matched sequences). Also available in recon and rough cut.
One of the most common trees in European forests, this oak has long been associated with the mythological gods due to its immense size, strength, and longevity. Like most oaks, the grain is straight with broad rays that produce a lively flake effect in flat or quarter cut wood and straight combed grain in rift cut. The golden-brown wood is slightly darker than American white oak, and slightly lighter than English brown oak. Fumed veneer produces a rich chocolate-brown color similar to tropical and African woods. CoCo (color-imbued) options are available in several shades of gray and brown. Vintage oak is sliced from the hand-hewn beams of reclaimed wood from old barns and farmhouses across Europe; this rustic looking veneer is intended for use in random matched sequences.
North American oak is well suited for rustic or modern interiors. While different growing conditions can produce a range of colors, in general, it’s slightly redder, more uniform in color, and has a less prominent flake figure than white oak. The grain is firm and straight, somewhat coarse with large pores. Rift cut veneer produce a very straight, combed grain effect.
This European fruit tree produces a very fine-grained wood with a uniform texture and a partial flame that is both beautiful and decorative. The wood is often pith-marked and occurs in colors from rosy cream to light reddish brown in both plain and figured logs. When fumed, pearwood turns a rich, dark brown; when stained black, it provides an excellent substitute for ebony.
Tineo is prized for its unique and interesting colors—the typically pinkish-brown veneer is marked with bold, exotic streaks of purple, dark green, blue, and/or black. Found primarily in South America, this wood is sometimes called Indian Apple. The veneer is straight grained with a fine to medium texture, and a lovely natural luster.