This is one of the world’s most loved and prized veneers. It ranges in color from lustrous chocolate-brown to purple-black with a cream colored sapwood—all very saturated with a vivid contrast. It has a lively variegated stripe and occasional bee’s wing figure and, when flat cut, produces a characteristic cathedral pattern. Increasingly used as a substitute for the extremely rare but prized Rio rosewood.
Small <10K SQ FT
Pale yellow-gray to nearly white, sen is a Japanese ash popular in Japan for both furniture and interiors. It has a straight, fine grain when cut on the quarter and a nice cathedral character with a fine grain on either side of the heart when flat cut. When marked with a pommele figure, this veneer is called "tamo." Sen is an excellent choice for a variety of interiors aesthetics including modern, Asian, and minimalist designs.
Vintage knotty spruce is sliced from hand-hewn beams reclaimed from old farmhouses, barns, or commercial buildings. Preserving the natural character of the wood, the beams are washed, de-nailed, dimensionally sorted, and then sliced into veneer. The veneer is generally straight grained with knotty characteristics that include splits, checks, nail holes, and occasional discolorations that reflect its history and give the wood a rustic feel. This veneer is sliced at 1.4 mm and intended for use in random sequences.
Tamo is the name given to highly figured, rotary cut, Japanese ash. This highly prized veneer is known and sought-after worldwide for its stunning, lustrous, pommele or "peanut shell" figure—a lively, variable, swirling background with peanut or blister figuring. Colors range from brownish-tan to gray to almost white—all of which provide rare and uncommon options for highly decorative interior spaces and custom furniture.
Teak is among the oldest commercial lumbers and remains a popular wood today, particularly in Asia, the US, and Scandinavia. It ranges in color from straw colored (which some consider the most desirable) to dark, dusty brown with fine, dark, contrasting stripes. Flat cut, the mineral streaks provide a contrasty grain structure in the cathedral pattern, much like American walnut. Pure golden teak without mineral streaking is available, but rare. Reconstituted teak is a manmade product that provides the beauty of teak with outstanding consistency in color and grain from sheet to sheet. Also available in recon.
One of the richest, darkest, and most exotically beautiful burls in the world, Roman woodworkers used this precious wood in temples in Biblical times. Today very little thuya is cut for lumber, instead workers dig beneath the ground to harvest the tree’s root burls, which are rotary sliced for veneer. The aromatic wood varies in color from light tan to deep, rich chocolate brown. The eyes of the figure are typically small and thickly scattered, creating a concentrated burl figure highly sought after for marquetry, custom furniture, and high-end architectural use.
American walnut is the quintessential native hardwood and a hallmark of wood quality and tradition—one of the country’s most versatile, varied, and well-loved veneers. It produces a wider variety of figures than any other wood. Quarter cut veneers have a straight, even grain; flat cut produces a beautiful cathedral pattern. Burled walnut is a rare and exceptional offering—rich and dark with a beautiful swirling grain intermingled with clusters of burl. Also available in recon and rough cut.
Ziricote is a captivating choice—sometimes referred to as the abstract art of veneer. Designers seek it out for its unrepeatable grain patterns—spider webbing, marbling, cloudbursts, hill and valley patterns, and more. The reddish-brown heartwood is nicely contrasted by creamy sapwood. Quarter cut veneer may produce ray flakes similar to hard maple. Some designers incorporate the pale sapwood into furniture or interior designs for aesthetic effect, or to cut down on waste.