Akacio veneer is a little-known treasure from Central and South America. It has a lovely honey color, tan to brown lines, straight grain, and a medium texture. Against a fairly uniform background, this specie can produce a range of beautiful figures, including curly and fiddleback figures reminiscent of anegre or maple, and is an excellent, adaptable choice for a wide range of interior styles.
Central America
This tropical evergreen grows to impressive heights in consistently cylindrical trunks, making it ideal for veneer production for architectural use. It has an intense, warm, reddish-brown color—much like cherry—with contrasting occasional gray-brown streaks. Jatoba has a medium texture, interlocked grain, and very desirable natural luster.
Artists and designers alike appreciate the elegant lines of this lighter alternative to African mahogany. It’s lighter in color, firmer in texture, and straighter in grain than its African counterpart. Among the finest woods in the world, this is a versatile and adaptable choice for architectural interiors.
This rare and beautiful, light-colored Central American tree grows in a dog-leg fashion, making straight sections over 10’ uncommon. Because it must be cut when the sap is low, native loggers watch the phases of the moon, waiting for the waning phases when sap is limited to harvest. Yellowish-red in color, and streaked by brown, red, or orange, the wood produces a range of beautiful figures and is highly prized for architectural work.
Ziricote is a captivating choice—sometimes referred to as the abstract art of veneer. Designers seek it out for its unrepeatable grain patterns—spider webbing, marbling, cloudbursts, hill and valley patterns, and more. The reddish-brown heartwood is nicely contrasted by creamy sapwood. Quarter cut veneer may produce ray flakes similar to hard maple. Some designers incorporate the pale sapwood into furniture or interior designs for aesthetic effect, or to cut down on waste.